When the New York Times emulates the distorted, abbreviated takes on social media and the form-over-substance nature of cable TV, it loses my vote.
When the New York Times emulates the distorted, abbreviated takes on social media and the form-over-substance nature of cable TV, it loses my vote.

I can’t endorse the New York Times’s approach

The New York Times provided lessons in both journalism and television Sunday night by way of bad examples.

First, If a newspaper believes in making political endorsements, it shouldn’t balk when a tough call comes along, leaving voters more mystified than before. Second, the ingredients that create a compelling reality-TV show (“The Apprentice” comes to mind) are not the same as those that make for honest political opining.

After spending “more than a dozen hours” interviewing most of the major candidates seeking the Democrats’ nomination for the presidency, the Times declared itself unable to choose between Senators Elizabeth Warren of Massachusetts and Amy Klobuchar of Minnesota, so it endorsed both. Readers were advised to deal with it “in the privacy of the voting booth.”

That, of course, is the essence of the argument many publishers use to explain why they do not make political endorsements in the first place. The Times, however, has a long history of issuing pointed recommendations — going back to 1860 when it endorsed Abraham Lincoln.

More troubling, however, is the way the paper unveiled its non-endorsement in a competition-style episode of the television series it produces for FX, known as “The Weekly.” Much like “Shark Tank,” the long-running ABC series in which contestants are interviewed by a panel of successful business tycoons for a chance to make a deal and become wealthy, the Times’s program faced a common dilemma. Should hours of material be edited for insight and clarity — fair but often dry — or should the producers go for pacing and entertainment value?

The episode of “The Weekly” went heavily for the latter, as best illustrated by the clips selected for the segment on businessman Andrew Yang. Although the full transcript of Yang’s interview, published by the Times, shows a reasonable depth of thinking on pressing issues of the day, he was asked on the TV show “what government secret” he would like to know (“UFO evidence,” he said with a laugh). And he was asked which of his opponents “understands the Internet” (answer: none).

In his few edited minutes, Yang was given what a former guru of schlock TV, Chuck Barris, liked to call the “zonk” treatment. Former South Bend, Indiana Mayor Pete Buttigieg got a taste of it as well when confronted with the fact that some trolls of social media refer to him as “Mayo Pete,” an apparent reference to either his whiteness, or blandness, or both.

Just about every twist from the reality-TV handbook was employed, from hearing the editorial board members offer unkind jabs after candidates left the room to having secret ballots written on slips of paper as a means of whittling the decision down to the final four (Warren, Klobuchar, Buttigieg, and Sen. Cory Booker, who has since dropped out of the race). Then, a pause for a commercial while Kathleen Kingsbury, the paper’s deputy editorial page editor, mulled.

In the past, these Times interviews with candidates were off the record — at least to the extent that full transcripts were never released and TV cameras were not present. In an admission that those of us who work in television understand all too well, Kingsbury told the Washington Post, “The reality is when you bring TV cameras into any meeting, people’s behavior changes. I’m still wondering if we should have done this on TV or if we should have just released the transcripts.”

If the Times’s goal was to boost ratings for its TV show, the endorsement competition probably succeeded. However, to the extent that the paper was out to guide Democrats, who will begin the long voting and caucusing process on Feb. 3 in Iowa, the dual recommendation was little more than frustrating.

The 2020 election and the presidency itself have already been stained by a reality-TV mentality, along with the distortions that come with abbreviated takes on social media, and the form-over-substance nature of cable TV.

When the New York Times emulates such things, it loses my vote.

The viewpoints expressed above are those of the author and do not necessarily reflect those of The Independent.

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Peter Funt
In print and on television, Peter Funt continues the Funt Family tradition of making people smile – while examining the human condition. After 15 years hosting the landmark TV series “Candid Camera,” Peter writes frequent op-eds for The Boston Globe and The Wall Street Journal as well as his weekly column distributed by the Cagle Cartoon Syndicate. His writing contains the same pointed social observations that have made “Candid Camera” so popular since its invention by Peter’s dad, Allen, back in 1947. His new book, "Cautiously Optimistic," takes America's temperature in six-dozen essays, guaranteed to make readers think and smile. It's available at Amazon.com and through CandidCamera.com. Peter is a frequent speaker before business groups and on college campuses, using the vast “Candid Camera” library to bring his points to life. His newest presentation for corporate audiences, “The Candid You,” draws upon decades of people-watching to identify factors that promote better communication and productivity. Details about Peter Funt’s speaking engagements are available at: www.CandidCamera.com. See http://www.youtube.com/watch?v=naYXOGIktsw for video. Peter hosted the newest versions of “Candid Camera” in recent years with Suzanne Somers and Dina Eastwood, with complete collections now available on DVD. Peter Funt actually made his first appearance on “Candid Camera” when he and the legendary series were each just three years old. Peter posed as a shoeshine boy who charged $10 per shoe! Since that time he has appeared in hundreds of “Candid Camera” sequences, hosted over 200 network episodes. In addition to his hidden-camera work, Peter Funt has produced and hosted TV specials on the Arts & Entertainment and Lifetime cable networks. He also spent five years as an editor and reporter with ABC News in New York. Earlier in his career, Peter wrote dozens of articles for The New York Times and TV Guide about television and film. He was editor and publisher of the television magazine On Cable. And he authored the book "Gotcha!" for Grosset & Dunlap on the lost art of practical joking. Peter’s essay on the evolution of television is included in “The Story of American Business,” published in 2009 by Harvard Business Press. Peter also follows in his father's footsteps as President of Laughter Therapy Foundation, a non-profit organization started by Allen Funt in 1982. Drawing from the Candid Camera library, Laughter Therapy sends special videos, at no charge, to critically ill people throughout the U.S. When Peter took over as host of the CBS specials, "Variety" wrote: "The latest new 'Candid Camera' specials seem to be getting funnier. Peter Funt is as personable as his dad..." Following Candid Camera's Battle of the Sexes special, "The Hollywood Reporter" observed: "This show is great fun. Peter Funt has a remarkably effective presence." Peter Funt received his degree in journalism from the University of Denver. In 2010 he returned to the Denver campus to be honored as a Master Scholar in Arts and Humanities. He is a past winner of the annual Silurian's Award for radio news reporting, for his ABC News coverage of racial disturbances in Asbury Park, NJ. Peter is founder of the Monterey County Young Journalists program in California, which provides hands-on training for high school students pursuing careers in news. He also inaugurated the Courtroom Journalism competition in Monterey County in conjunction with the Lyceum Organization, and conducts a similar statewide event for the Constitutional Rights Foundation in Los Angeles, as part of its Mock Trial program. Peter resides in Central California with his wife, Amy, and two children, Stephanie and Danny. His favorite pastimes are golf, baseball, tennis and people-watching.

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