The Tribe movie review

Written by Adam Mast

THE TRIBE (Unrated)

I saw “The Tribe” at the Sundance Film Festival last January, and while it didn’t make my Top 10 Best of Fest list, it’s a film that continues to haunt me. It’s haunting for many reasons, one of which I’ll be getting to in a moment.

This challenging, brutal, and poetic import from the Ukraine centers around Sergey, a young deaf man who will do whatever it takes to fit in at a boarding school for the hearing impaired. After a rough start, he does eventually settle in. He even finds romance of sorts. Granted, the union appears to be based mostly on sex, but for him, it is a real connection. As the film progresses, it becomes apparent that this particular boarding school is filled with a lot of bad apples.

When a tribe of “thug” students aren’t extorting money from their weaker classmates, they’re stealing from strangers, maiming innocents, and pimping out two of their own, all in an effort to make extra cash. And Sergey is at the center of all of this madness, looking for acceptance the only way he knows how.

“The Tribe” sort of plays like a Ukrainian version of “City of God” or “A Clockwork Orange.” It delves into the lives of angry, troubled hoods who will do anything to get ahead. It’s an ugly bit of business, and it features—among other things—graphic sexual content and extreme violence. Quite honestly, there were a couple of moments during this movie when I found myself looking down at the floor because it was simply too uncomfortable to keep my eyes on the screen.

Having said that, “The Tribe” is expertly crafted. It’s powerfully acted, and the cinematography is astonishing. As you probably gathered, this is an incredibly provocative film too. Tonally, there were parts that reminded me of Gaspar Noe’s disturbing but hypnotic “Irreversible.”

Some scenes are a little over-directed, but by and large, the dreamlike quality and the “fly on the wall” approach that director Miroslav Slaboshpitsky takes with the material is mesmerizing. Yes, there is a lot of awful stuff going on in this movie, but there is real artistry on display here.

What really makes “The Tribe” stick out and makes it such a challenging, haunting, and rewarding cinematic experience for those willing to take a chance on something way outside the box is that the entire movie is in sign language. No talking and no subtitles. It’s a true testament to the skill of both the filmmakers and an exceptional cast that “The Tribe” still speaks to the viewer. It may not always be what you want to hear, but it’s certainly a movie you’re not likely to forget. “The Tribe” got under my skin in a big way.

“The Tribe” opens in select theaters and on VOD on Wednesday, June 17.

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Adam Mast
Adam Mast's love affair with the movies began at the ripe age of 6 after his parents took him to see a little film called Jaws at a drive-in theater in Northern California. From that moment, he was hooked. Mast began his epic stint as a film critic with The Independent back in May of 1996. At the time, the publication was still in its infancy and known as the Revolution. Through the years, Mast would go on to write for Zboneman.com before co-founding the entertainment site, Cinemast.net. His love of storytelling would also lead him to aid in the creation of the film-centric 501(C)(3) nonprofit, Film and Media Alliance of Southern Utah (FMASU)--An organization primarily known for championing storytellers both locally and worldwide by way of various film-related events held throughout the year, including The Guerilla Filmmaking Challenge, Desertscape International Film Festival, HorrorFest International, and A Merry Movie Christmas. His love of cinema and the arts in general knows no bounds. Mast currently resides in St. George, UT with his lovely (and undeniably supportive) wife Tonja and their four amazing children, McKenzie, Matthew, McKian, and Mason.

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