The Utah Shakespeare Festival
Brings Joy And Entertainment To All
CEDAR CITY, Utah — Audiences are raving about the shows at the Utah Shakespeare Festival in Cedar City! Now showing are Shakespeare‘s The Comedy of Errors, Richard III, and Pericles. Or if you like musicals, don’t miss The Pirates of Penzance and Ragtime. Opening later in July are Intimate Apparel, The Comedy of Terrors, and Shakespeare‘s Cymbeline. All readers of The Independent get $4 off each ticket with the code “Independent21” at bard.org or 800-PLAYTIX.
“The 2021 season at the Utah Shakespeare Festival will be like no other in our history,” said Executive Producer Frank Mack about the theatre season that began June 24. “It is our sixtieth year, it is dedicated to our founder, Fred C. Adams, and it marks our return to producing after missing 2020. It will be a magnificent experience.”
The season will feature eight plays in three theatres, plus some of the extra “Festival Experience” traditions and activities guests have come to love over the last six decades, The Greenshow, play seminars, orientations, and numerous classes. And, it will be even more exciting because it marks the return of professional theatre to Cedar City after the Festival canceled its 2020 season because of the COVID-19 pandemic.
In addition to dedicating the season to him, the Festival is planning a celebration in August for the life of Fred C. Adams, who founded the Festival in 1961 and passed away in February 2020.
The season will run through October 9. The plays will be William Shakespeare’s Richard III, The Comedy of Errors, Pericles, and Cymbeline, as well as two great musicals: Ragtime by Terrence McNally, Stephen Flaherty, and Lynn Ahrens, The Pirates of Penzance by W. S. Gilbert and Arthur Sullivan, Intimate Apparel by Pulitzer Prize-winning playwright Lynn Nottage, and The Comedy of Terrors by John Goodrum.
“This season is a mixture of plays rolled over from the canceled 2020 season, with the addition of three exciting and reflective plays that capture the heartbeat of the Utah Shakespeare Festival’s enduring mission,” said Artistic Director Brian Vaughn. “All of these titles explore varying themes of identity and mortality; the debate of fate versus free will; and the examination of the human spirit’s ability to overcome injustice and oppression. Combined, they make up a rich tapestry of drama that magnifies the intricacies of our collective humanity.”
In the Engelstad Shakespeare Theatre
The 2021 season begins with three Shakespearean shows running in rotating repertory in the Festival’s beautiful outdoor Engelstad Shakespeare Theatre.
Playgoers will have a chance to see the rarely performed Pericles from June 21 to September 9, a tale of high adventure presented for only the third time in the Festival’s history. Pericles is searching for thrills, treasure, and family. But his loves die, his friends deceive him, and the gods seem to be against him. In the end, he finds the most important treasure of all: himself.
Richard III is the next installment in the Festival’s History Cycle, completing the story of the War of the Roses told in Henry V, and the three parts of Henry VI. Playing from June 22 to September 10, Richard III features one of Shakespeare’s most charming and evil villains. Richard, the ambitious son of York, has taken the English throne by exploiting or murdering everyone in his path, but it isn’t clear that he can keep it in the twisted world he has created.
The Comedy of Errors, one of Shakespeare’s funniest plays, will open June 23 and play through September 11. Featuring not just one, but two sets of bewildered twins, it’s double the laughter and twice the fun as confusion reigns supreme. You will laugh from beginning to end as these bewildered twins try to unravel the lunatic events swirling around them.
In the Randall L. Jones Theatre
Two spectacular musicals and a hilarious two-actor farce will be featured in the indoor Randall Theatre.
First will be the ever-popular Gilbert and Sullivan operetta, The Pirates of Penzance, which plays from June 25 and runs to the end of the season, October 9. Spotlighting a ship full of zany pirates, a bevy of giggling maidens, and a band of bumbling policemen, the show is one of the most charmingly silly love stories ever to grace the stage. Alack! Alack! Will our hero, Frederic, ever be reunited with his love, Mabel?
Next will be Ragtime, the story of a wealthy white couple, a Jewish immigrant father and daughter, and an African-American ragtime musician whose lives intertwine and sometimes collide as they seek the American dream at the volatile turn of the twentieth century. This stirring musical epic captures the beats of a nation: the conflict, the hope and despair, the search for justice, and—of course—the ragtime. The show opens on June 26 and plays through September 11.
Balancing out these two large musicals will be a play that is smaller in actor numbers, but features dizzying action and dialogue: The Comedy of Terrors features two twin sisters, two twin brothers, and a third brother thrown in just for kicks. It sounds like a familiar Shakespearean comedy, but this spooky and madcap farce revs up the action even further as two actors play all five characters: a police officer, a confused thespian, her twin sister-gone-bad, a conniving charity worker, and his bumbling twin brother. It plays from July 29 through October 9.
In the Eileen and Allen Anes Studio Theatre
Another Shakespeare play and a lyrical and warm but powerful play by Pulitzer Prize-winning playwright Lynn Nottage complete the 2021 season in the Anes Studio Theatre.
Cymbeline, William Shakespeare’s fantastical romance, will open on July 16 and run through October 9. A wicked stepmother, a banished soulmate, villains, ghosts, long-lost princes, and a lion-hearted heroine are all a part of this mythic tale based on the legends of ancient Celts and chock-full of deception, intrigue, innocence, and jealousy on the road to Happily Ever After.
Completing the season will be Intimate Apparel which runs from July 17 to October 9. Esther is a single African-American woman in early 1900s Manhattan who has sewn her way out of poverty stitch by stitch, creating fine lingerie for her wealthy clientele. But she is alone and cautiously exchanging love letters with a Panama Canal laborer on his way to New York, despite mutual tender affections with her Jewish cloth merchant. This warm, heart-rending play gently weaves an intricate tapestry of our need for intimacy while exploring social divisions of race, religion, equality, and class.
Tickets for the 2021 shows are $23 to $85. For more information or to purchase tickets, go to the Festival website at bard.org, call 800-PLAYTIX, or visit the Ticket Office onsite at the Beverley Center for the Arts.
All The Independent readers get $4 off each ticket with the promotional code “Independent21” @ bard.org.
