MOVIE REVIEW: THE FATHER (PG-13)

The powerful new film “The Father” is quite an emotionally devastating experience. Few films have been able to capture the pure dramatic impact as well as the complete and utter confusion that comes with dementia quite like this one. It’s one part gut-wrenching domestic drama, one part haunting mystery, and one part reality-based horror film, and I won’t soon forget it.

Fueled by a towering Anthony Hopkins performance, “The Father” tells the story of Anthony (Hopkins), a man in his 80s whose progressing health issues all but force his loving but emotionally drained daughter, Anne (Olivia Coleman) to seek the aid of a caregiver. Of course, that’s easier said than done as Anthony is often as cantankerous and tenacious as he is loving and charismatic. Translation; He isn’t willing to accept the help that’s being offered.

As directed by Florian Zeller (this film is based on his play), “The Father” is sensitive without being sentimental. While reverent, it doesn’t shy away from showing the very real and often very brutal hardships that come with dementia, both from the standpoint of those stricken with illness and the family members doing what they can to care for them. Of course, it is the fashion in which Zeller puts you in Anthony’s headspace that makes this such a rich, powerful, and sometimes depressing experience. He brings a deft and assured touch to the proceedings and It might come as a surprise to some that this is Zeller’s feature directorial debut. Clearly, his work in the theater world served him well because this is a dramatic powerhouse from top to bottom.

But then, it should be noted that Zeller has a true thespian in his corner in the form of the legendary Sir Anthony Hopkins. This is yet another unforgettable performance on a resume that already has quite a few unforgettable performances to speak of (see his brilliance on display in the likes of “Shadownlands,” “Remains of the Day,” “The Elephant Man,” and “Silence of the Lambs” just to name a precious few.) Hopkins’s ability to capture the confusion, tenacity, charm, humor, pain and childlike presence of this ill-stricken man is next to none.  Simply put; This is a masterclass performance from one of the very best in the business.

Likewise, Coleman (who won an Oscar just a few years ago for her memorable turn in “The Favourite”) brings raw, unfiltered emotion to Anne, a compassionate woman who is coming to the stark realization that she can no longer care for her father on her own. Together, Coleman and Hopkins are sensational bringing authenticity and heartbreak in equal measure. Rounding out a stellar supporting cast are Olivia Williams, Imogen Poots, Rufus Sewell, and Mark Gatiss.

“The Father isn’t always an easy watch, particularly for those who’ve been touched by dementia in some way, but in the end, this is a thoughtful, quiet, elegant, profoundly moving film, beautifully crafted by a very gifted storyteller. And once again, it’s headlined by the great Anthony Hopkins, an iconic performer who, even in his 80s, is showing no signs of slowing down, and quite frankly, we the filmgoers are all the luckier for it.


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Adam Mast
Adam Mast's love affair with the movies began at the ripe age of 6 after his parents took him to see a little film called Jaws at a drive-in theater in Northern California. From that moment, he was hooked. Mast began his epic stint as a film critic with The Independent back in May of 1996. At the time, the publication was still in its infancy and known as the Revolution. Through the years, Mast would go on to write for Zboneman.com before co-founding the entertainment site, Cinemast.net. His love of storytelling would also lead him to aid in the creation of the film-centric 501(C)(3) nonprofit, Film and Media Alliance of Southern Utah (FMASU)--An organization primarily known for championing storytellers both locally and worldwide by way of various film-related events held throughout the year, including The Guerilla Filmmaking Challenge, Desertscape International Film Festival, HorrorFest International, and A Merry Movie Christmas. His love of cinema and the arts in general knows no bounds. Mast currently resides in St. George, UT with his lovely (and undeniably supportive) wife Tonja and their four amazing children, McKenzie, Matthew, McKian, and Mason.

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