Just about every form of media has gotten a lot of news media mileage from the news typhoon about Donald Trump, the White House buffoon.
Just about every form of media has gotten a lot of news media mileage from the news typhoon about Donald Trump, the White House buffoon.

In Trump we profit

By Peter Funt

Les Moonves, the CBS chief toppled by a sexual harassment scandal, will probably be best remembered for what he said in 2016 about Donald Trump’s candidacy: “It may not be good for America, but it’s damn good for CBS.”

Moonves might have added, “And for everyone else in media as well.”

For Rachel Maddow, who specializes in professorial-style takedowns of Trump and his cohorts, the week of Sept. 10 was the best, ratings-wise, in her 10-year run on MSNBC. At the same time, Trump’s most ardent media apologist, Sean Hannity, had roughly the same number of viewers on Fox News Channel.

Hannity’s total viewership trailed Maddow’s slightly for the week, but he still leads overall in TV’s third quarter results.

Meanwhile, Bob Woodward’s book, “Fear: Trump in The White House,” sold more than 1.1 million copies in its first full week on sale, a remarkable achievement for any hardcover title. At the other end of the literary spectrum is the upcoming tell-all by Stormy Daniels, due out Oct. 2.

In “Full Disclosure,” the porn performer, whose real name is Stephanie Clifford, recounts her sexual encounter with Trump in 2006 and his subsequent attempts to keep her from speaking about it. A slew of other Trump books are on the way.

It began with a somewhat shabby effort by a writer with less than stellar credentials — Michael Wolff’s “Fire and Fury” — that managed to sell over 3 million copies. Since then, everyone’s a best-selling author — from Omarosa Manigault Newman of “Apprentice” and West Wing fame to James Comey, the former FBI director.

CBS is reportedly making a miniseries based on Comey’s book.

Just about every form of media has benefited from the news typhoon about the White House buffoon. I’ve tried to cut back on my own rants about Trump, yet here I go again — getting media mileage simply by tabulating Trump’s enormous impact on media mileage.

The amazing thing about this process is that the more Trump attacks writers and reporters, the more their audience grows and the more handsomely they profit.

Most nights, unless there’s a hurricane, CNN’s prime-time hosts — Anderson Cooper, Chris Cuomo, and Don Lemon —abandon most other news in favor of dissecting the latest Trump outrages. It’s not surprising that White House spokespeople, led by Kellyanne Conway, complain that news media, particularly cable TV, don’t seem to have much time for other stories.

Of course, Conway’s plea is for coverage of Trump’s “achievements,” such as they might be, but the real oversights on cable relate more to the basics: covering the environment, the plight of those skipped over in the recent economic uptick, the crumbling infrastructure that Trump promised to fix, and so much more.

Watching a Trump rally — which cable channels still cover for as much as an uninterrupted hour at a time — is like viewing any other showbiz daredevil act. Many in the TV audience are drawn by the possibility that he will fall off the high wire, careen off the road, or utter something that will finally run him out of town.

We in media should concede that Les Moonves was right: Trump’s presidency has boosted audiences and profits. The man who calls news media an “enemy of the American people” and “dangerous and sick” is also their sugar daddy.

Connect these dots: The Emmy telecast Monday night, hosted by performers from “Saturday Night Live” who specialize in lampooning Trump, managed to virtually ignore him for three hours. Trump’s name was never mentioned.

It was the lowest-rated show in the Emmy’s history.

The viewpoints expressed above are those of the author and do not necessarily reflect those of The Independent.

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Peter Funt
In print and on television, Peter Funt continues the Funt Family tradition of making people smile – while examining the human condition. After 15 years hosting the landmark TV series “Candid Camera,” Peter writes frequent op-eds for The Boston Globe and The Wall Street Journal as well as his weekly column distributed by the Cagle Cartoon Syndicate. His writing contains the same pointed social observations that have made “Candid Camera” so popular since its invention by Peter’s dad, Allen, back in 1947. His new book, "Cautiously Optimistic," takes America's temperature in six-dozen essays, guaranteed to make readers think and smile. It's available at Amazon.com and through CandidCamera.com. Peter is a frequent speaker before business groups and on college campuses, using the vast “Candid Camera” library to bring his points to life. His newest presentation for corporate audiences, “The Candid You,” draws upon decades of people-watching to identify factors that promote better communication and productivity. Details about Peter Funt’s speaking engagements are available at: www.CandidCamera.com. See http://www.youtube.com/watch?v=naYXOGIktsw for video. Peter hosted the newest versions of “Candid Camera” in recent years with Suzanne Somers and Dina Eastwood, with complete collections now available on DVD. Peter Funt actually made his first appearance on “Candid Camera” when he and the legendary series were each just three years old. Peter posed as a shoeshine boy who charged $10 per shoe! Since that time he has appeared in hundreds of “Candid Camera” sequences, hosted over 200 network episodes. In addition to his hidden-camera work, Peter Funt has produced and hosted TV specials on the Arts & Entertainment and Lifetime cable networks. He also spent five years as an editor and reporter with ABC News in New York. Earlier in his career, Peter wrote dozens of articles for The New York Times and TV Guide about television and film. He was editor and publisher of the television magazine On Cable. And he authored the book "Gotcha!" for Grosset & Dunlap on the lost art of practical joking. Peter’s essay on the evolution of television is included in “The Story of American Business,” published in 2009 by Harvard Business Press. Peter also follows in his father's footsteps as President of Laughter Therapy Foundation, a non-profit organization started by Allen Funt in 1982. Drawing from the Candid Camera library, Laughter Therapy sends special videos, at no charge, to critically ill people throughout the U.S. When Peter took over as host of the CBS specials, "Variety" wrote: "The latest new 'Candid Camera' specials seem to be getting funnier. Peter Funt is as personable as his dad..." Following Candid Camera's Battle of the Sexes special, "The Hollywood Reporter" observed: "This show is great fun. Peter Funt has a remarkably effective presence." Peter Funt received his degree in journalism from the University of Denver. In 2010 he returned to the Denver campus to be honored as a Master Scholar in Arts and Humanities. He is a past winner of the annual Silurian's Award for radio news reporting, for his ABC News coverage of racial disturbances in Asbury Park, NJ. Peter is founder of the Monterey County Young Journalists program in California, which provides hands-on training for high school students pursuing careers in news. He also inaugurated the Courtroom Journalism competition in Monterey County in conjunction with the Lyceum Organization, and conducts a similar statewide event for the Constitutional Rights Foundation in Los Angeles, as part of its Mock Trial program. Peter resides in Central California with his wife, Amy, and two children, Stephanie and Danny. His favorite pastimes are golf, baseball, tennis and people-watching.

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